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Questions of religious and national identity, of the sense of right and wrong, of combating a certain isolation that comes with a behavioural disorder. But what triumphs over all the complexities unfolding in a tumultuous post 9/11 America is Rizwan Khan and his essential goodness that tells you unwaveringly – his name is Khan and he is not a terrorist.
Director Karan Johar is in unfamiliar territory here. The super intelligent Rizwan, who has Asperger’s Syndrome, a form of autism, his halting voice with his inability to communicate, and his many relationships – with his mother, his brother, and yes, Mandira, and her son Sam.
Rizwan who finds love and loses it some years later when his Khan identity becomes all important in a tense, suspicious America. You sit through three hours waiting to get a glimpse of Shah Rukh through Rizwan Khan, but it doesn’t happen.  All credit to Karan Johar for that.
If Shah Rukh lives and breathes Rizwan in what is one of his finest roles, Kajol as Mandira, the vivacious single mother, is also good – as always. The chemistry between them if not always crackling, then heartwarming..
Like a piece of music that gradually rises to grand crescendo, ‘My Name Is Khan’ begins with Rizwan as a child with his mother – so good to see Zarina Wahab after such a long time – in a tenement in Mumbai and ends with cheers from the US’ first African American president in a crowded rally.
It’s from his mother that Rizwan learns his first lessons of humanity; as the 1983 Mumbai riots rage outside, she tells the young boy that the world is divided into good people and bad people.
It is this essential humanism that carries Rizwan through from Mumbai to San Francisco where his brother stays, then to the suburb of Banville where he moves in with Mandira and Sam, and even when he is taken to be a terror suspect.
Sam, his ‘only best friend’, is subjected to a vicious race attack because he takes on Rizwan’s surname. Mandira hits back, saying that the worst thing she could have done was marry a Khan and Rizwan is out on the roads – unable to articulate his feelings but backpacking his way across the US to meet ‘president sahib’ so he can tell him: ‘My name is Khan and I am not a terrorist.’
It is a road journey through a troubled post 9/11 America towards humanism and the essential goodness of the human spirit.
This is a US where chanting the name of Allah gets you into trouble, where the word terrorist and Khan in conjunction can put you behind bars. Rizwan moves from being a terror suspect to a nationwide hero who exposes a terror mastermind. And then, the man with the mission who travels to Wilhelmina that is literally drowning in a hurricane to supervise a heroic rescue mission.
There’s Afghanistan and Iraq, Bush and Obama too. The US’ first African American president is voted in and, in that final feel good moment Rizwan meets him in front of thousands of people and his goodness is validated.
Plenty of great one liners. When he is refused entry into a presidential fundraiser for the poor in Africa that is only for Christians, he leaves behind $500 saying: ‘This if for those who are not Christians in Africa.’
The music by Shankar Ehsaan Loy is superb. This is not a film without flaws, it is at least 20 minutes too long for one and flags in the pre-interval period, but here is one straight from the heart. It has a message, in these days of tensions over language and religion, one which needs to be heard.

Mumbai-Salman Khan in a period film?!! I won't deny I was a bit apprehensive about how Veer would turn up to be. Yes, from the look and feel it did look like a period film, but fifteen minutes into the film, I was pleasantly surprised to find myself enjoying the plot as we saw cannons roar, swords clash and men on galloping horses slaying one another on the battlefield.

Set in the times when the British were colonising India, Veer is a tale of bravery, treachery and love rolled into one. As the British enslave India with their shrewd 'Divide and Rule' policy, kings and nawabs fall to their guile and entrust their kingdom to them, one of them being Jackie Shroff, the Raja of Madhavgarh. He cheats the Pindaris, a fighter tribe from Rajputana, to please the British and loses his right hand to Prithvi Singh (Mithun Chakraborty).

Prithvi, one of the proud heads of the Pindaris, swears to return and kill every white man and the Raja to avenge the deception that cost his tribe, their land and their reputation. The vile Raja of Madhavpur too harbours a similar intention behind his cool demeanour. But as fate would have it, little did he realise that one day his daughter Jashodhara (Zarine Khan) would fall in love with the bravest of them all, Veer.

Now Veer not only takes on the British rulers, he also has to fight the cunning Raja of Madhavgarh. But then he has fallen head-over-heels in love Jasho and has killed her brother (Puru Raj Kumar) too. Will he succeed or won't he is for you to figure out.

Salman seemed to be back in form. He has lost more weight this time and looked better than in Wanted. It felt good to see him dancing gracefully and emoting right at the same time, maybe because Salman himself has invested a lot in terms of story as well.

The film has good music with a few hummable tracks.

But the discussion would be incomplete if we don't talk about Sallu's action sequences and his dialogues. As in Wanted, here too he has a few punch lines kept aside for his fans. Sample this: Ek bar leta hoon toh paanch ser gosht le ke hi chhodta hoon. If this was not all he goes on to prove it by actually killing a rebel Pindari with his bare hands by scooping out his flesh. And guess what he comes up with? 'Tol lena, paanch ser se zyada hi hoga." Woof!!

American and  Twilight Star actress Kristen Jaymes Stewart is best known for playing Bella Swan in Twilight and New Moon, and will reprise her role in Eclipse.