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Tuesday, August 10, 2010

There was so much to like in Monday's new production premiere of Mozart's Don Giovanni at the Salzburg Festival that it's difficult to know where to start.

Uncounted stagings have faltered either because they were too conventional — a.k.a. boring — or so desperately wannabe avant garde that they clashed with the original story; a dissolute rake meets his just fate, death and damnation after a life of debauchery, coupled with murder.

We had a major redo Monday but presented through the refreshing prism of director Claus Guth and the result was as if a moth-eaten carpet was taken out.

A constantly changing diorama mounted on a rotating stage with props added or disappearing out of sight of the audience.Some of the unusual objects seen on stage Monday: a full-size car driving through the woods that serves as the venue for a tete-a-tete between the Don and one of his paramours; a rural bus stop, with the same function.

Italian nobleman of the classic opera and his manservant were turned here into two hipsters, into beer and recreational drugs and replete with all the gestures that transmit coolness. Strangely, the libretto fits these dudes despite its age.

Christopher Maltmann was a fabulous Don Giovanni in voice and dramatic expression, upstaged only slightly by Erwin Schrott as the servant Leporello. But they were best together: Leporello, the bass, the straight-man to the Don.

Don's objects of desire added to the musical delights. The mature timbre of Dorothea Roeschmann as Donna Elivra; the fresh sound of Aleksandra Kurzak as Donna Anna, and the bubbly enthusiasm of Anna Prohaska as Zerlina.

Don Ottavio covered for a sick Joseph Kaiser with admirable constancy and growing vocal confidence. And in the pit, Yannick Nezet-Seguin conducted a supreme ensemble that shifted effortlessly from the tight unit underpinning the soloists on stage to the poignant solo woodwind or harp that heralded the start of one of the singer's.

The mood turns sinister even before Donna Anna's father, murdered by the Don, turns up in the gloom to start digging his killer's grave.Then, within minutes, the death cry of a reprobate who chooses the grave instead of redemption.

Monday, August 9, 2010

Oscar-winning actress Patricia Neal actress who won an Academy Award for 1963's "Hud" and then survived several strokes to continue acting, died on Sunday. She was 84.Neal had lung cancer and died surrounded by her family at her home in Edgartown, Mass., on Martha's Vineyard.She faced her final illness as she had all of the many trials she endured: with indomitable grace, good humor and a great deal of her self-described stubbornness," her family said in a statement.

Neal was already an award-winning Broadway actress when she won her Oscar for her role as a housekeeper to the Texas father (Melvyn Douglas) battling his selfish, amoral son (Paul Newman).Less than two years later, she suffered a series of strokes in 1965 at age 39. Her struggle to once again walk and talk is regarded as epic in the annals of stroke rehabilitation.

The Patricia Neal Rehabilitation Center that helps people recover from strokes and spinal cord and brain injuries is named for her in Knoxville, where she grew up.She never forgot us after she went to Hollywood," said 85-year-old Bud Albers, who graduated with Neal from Knoxville High School in 1943, and still lives in the city.

"She was so courageous," he said of her battling back from her illnesses and losing her 7-year-old daughter to measles in 1962. "She always fought back. She was very much an inspiration.In her 1988 autobiography, "As I Am," she wrote, "Frequently my life has been likened to a Greek tragedy, and the actress in me cannot deny that comparison."

She had the female leads in the 1949 film version of Ayn Rand's novel "The Fountainhead," the classic 1951 science fiction film "The Day the Earth Stood Still" and Elia Kazan's 1957 drama "A Face in the Crowd."

She made a grand return to the screen after her strokes in 1968, winning an Oscar nomination for her performance in "The Subject Was Roses."

A Christmas Story," a made-for-TV film that served as the pilot for the CBS series "The Waltons." It brought her the first of her three Emmy nominations.In 1953, she married Roald Dahl, the British writer famed for "Charlie and the Chocolate Factory," "James and the Giant Peach" and other tales for children. They had five children. They divorced in 1983 after she learned he was having an affair with her best friend and he died in 1990.

Neal also suffered a nervous breakdown, and had an ill-fated affair with Gary Cooper, who starred with her in "The Fountainhead."I lived this secret life for several years. I was so ashamed," she told The New York Times in 1964.The strokes at first paralyzed her and impaired her speech. After recovering, she limped and had bad vision in one eye. A 1991 biopic about her travails starred Glenda Jackson as Neal.

In 1999, she starred in her first feature film in 10 years in the title role in Robert Altman's "Cookie's Fortune."

Her Broadway credits included "A Roomful of Roses," "The Miracle Worker" (as Helen Keller's mother, Kate) and a revival of Lillian Hellman's drama "The Children's Hour.She made her screen debut in 1949's "John Loves Mary," that also starred Jack Carson and Ronald Reagan.

Her three Emmy nominations were all for roles in notable drama specials: Besides The Homecoming, they were Tail Gunner Joe, a 1977 drama about Sen. Joe McCarthy, and a version of the tragic World War I story "All Quiet on the Western Front.Among Neal's children is Tessa Dahl, who followed in her father's footsteps as a writer. Tessa Dahl's daughter is the model and writer Sophie Dahl.

I don't lie down. ... I'm fightin' all the way,she said in 1999.The statement from Tessa, Theo, Ophelia and Lucy Dahl and others said that the night before her death, Neal told them, "I've had a lovely time."

Sunday, August 8, 2010

Lauren Conrad used to be a relatively normal girl with a fabulous life. Now she's friendless, plastic, and almost divorced. My, how life has changed.Heidi Montag has been fairly quiet on Twitter lately, unlike her soon-to-be ex-husband, Spencer Pratt.

The other day, Heidi tweeted, "watching old hills i miss you @AudrinaPatridge and most of all @laurenconrad. It's kind of sad in a way.

After all, when we first met Heidi, she and Lauren were best friends forever.

But we think it's far too late and things can never be the same. Heidi really did go off the deep end and show her true colors.

She certainly can't turn back time on her 10 plastic surgeries.

Neither Lauren Conrad or Audrina Patridge responded to Heidi on Twitter and we doubt they will.

If Heidi wants to live the kind of life she used to live, she needs to make major life changes.

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